Speaker Profile Thumbnail for Aisha Harris

Co-Host of NPR's Pop Culture Happy Hour & Author of "Wannabe"

Aisha Harris Speaking Fee: $10,000 and Below

Co-Host of NPR's Pop Culture Happy Hour & Author of "Wannabe"

Speaker Profile Thumbnail for Aisha Harris
Speaking Fee:
$10,000 and Below

Travels From:
OAK - Oakland, CA

Primary Topic Category:
Pop Culture / College Programming

Secondary Topic Category:
African American & Black

 

Aisha Harris Speaker Profile: At A Glance

Aisha Harris is a co-host and reporter for the NPR podcast Pop Culture Happy Hour. She previously covered the arts as a critic, editor, and podcaster for The New York Times and Slate Magazine. Her subjects have included film and TV criticism, artist interviews, and cultural reporting/essays, and she has appeared on numerous radio and TV programs as a cultural commentator. She earned her bachelor's degree in theatre from Northwestern University and her master's degree in cinema studies from New York University. Aisha is the author of the essay collection "Wannabe: Reckonings with the Pop Culture That Shapes Me".

Aisha is currently a co-host and reporter for the NPR podcast /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.npr.org/series/pop-culture-happy-hour/" target="_blank" rel="noopener" Pop Culture Happy Hour /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . From 2012 to 2018, she covered culture for Slate Magazine as a staff writer, editor and the host of the film and TV podcast Represent, where she wrote about everything from /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="http://www.slate.com/articles/arts/culturebox/2017/04/the_history_of_self_care.html" target="_blank" rel="noopener" the history of self-care /a span class="WdYUQQ text-decoration-none text-strikethrough-none" to /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://slate.com/culture/2017/08/visiting-dolly-partons-dinner-show-dixie-stampede.html" target="_blank" rel="noopener" Dolly Parton’s (formerly Dixie) Stampede /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and interviewed creators like /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://slate.com/culture/2016/10/filmmaker-barry-jenkins-on-his-deeply-personal-new-film-moonlight.html" target="_blank" rel="noopener" Barry Jenkins /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://slate.com/culture/2017/12/greta-gerwig-on-em-lady-bird-em-john-hughes-and-being-ready-to-step-behind-the-camera.html?via=recirc_recent" target="_blank" rel="noopener" Greta Gerwig /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . /span /p p class="_04xlpA direction-ltr align-start para-style-body" span class="WdYUQQ text-decoration-none text-strikethrough-none" She joined The New York Times in 2018 as the assistant TV editor on the Culture Desk and produced a variety of pieces, including a feature /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2019/05/30/arts/television/when-they-see-us.html" target="_blank" rel="noopener" Q&,A with the Exonerated Five /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and a deep dive into the /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/interactive/2018/08/20/arts/coco-scene.html" target="_blank" rel="noopener" emotional climax of the Pixar movie Coco /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . And in 2019, she moved to the Opinion Desk in the role of culture editor, where she wrote and edited a variety of pieces at the intersection of the /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2019/10/07/opinion/slave-play-broadway.html" target="_blank" rel="noopener" arts /a span class="WdYUQQ text-decoration-none text-strikethrough-none" , /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2020/06/09/opinion/this-you-black-twitter.html" target="_blank" rel="noopener" society /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2020/07/04/opinion/soledad-obrien-racism-journalism.html" target="_blank" rel="noopener" politics /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . /span /p p class="_04xlpA direction-ltr align-start para-style-body" span class="WdYUQQ text-decoration-none text-strikethrough-none" Born and raised in Connecticut, she earned her bachelor’s degree in theatre from Northwestern University and her master’s degree in cinema studies from New York University. She is the author of the essay collection "Wannabe: Reckonings with the Pop Culture that Shapes Me". /span /p | p class="_04xlpA direction-ltr align-start para-style-body" span class="WdYUQQ text-decoration-none text-strikethrough-none" Aisha is currently a co-host and reporter for the NPR podcast /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.npr.org/series/pop-culture-happy-hour/" target="_blank" rel="noopener" Pop Culture Happy Hour /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . From 2012 to 2018, she covered culture for Slate Magazine as a staff writer, editor and the host of the film and TV podcast Represent, where she wrote about everything from /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="http://www.slate.com/articles/arts/culturebox/2017/04/the_history_of_self_care.html" target="_blank" rel="noopener" the history of self-care /a span class="WdYUQQ text-decoration-none text-strikethrough-none" to /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://slate.com/culture/2017/08/visiting-dolly-partons-dinner-show-dixie-stampede.html" target="_blank" rel="noopener" Dolly Parton’s (formerly Dixie) Stampede /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and interviewed creators like /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://slate.com/culture/2016/10/filmmaker-barry-jenkins-on-his-deeply-personal-new-film-moonlight.html" target="_blank" rel="noopener" Barry Jenkins /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://slate.com/culture/2017/12/greta-gerwig-on-em-lady-bird-em-john-hughes-and-being-ready-to-step-behind-the-camera.html?via=recirc_recent" target="_blank" rel="noopener" Greta Gerwig /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . /span /p p class="_04xlpA direction-ltr align-start para-style-body" span class="WdYUQQ text-decoration-none text-strikethrough-none" She joined The New York Times in 2018 as the assistant TV editor on the Culture Desk and produced a variety of pieces, including a feature /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2019/05/30/arts/television/when-they-see-us.html" target="_blank" rel="noopener" Q&,A with the Exonerated Five /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and a deep dive into the /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/interactive/2018/08/20/arts/coco-scene.html" target="_blank" rel="noopener" emotional climax of the Pixar movie Coco /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . And in 2019, she moved to the Opinion Desk in the role of culture editor, where she wrote and edited a variety of pieces at the intersection of the /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2019/10/07/opinion/slave-play-broadway.html" target="_blank" rel="noopener" arts /a span class="WdYUQQ text-decoration-none text-strikethrough-none" , /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2020/06/09/opinion/this-you-black-twitter.html" target="_blank" rel="noopener" society /a span class="WdYUQQ text-decoration-none text-strikethrough-none" and /span a class="WdYUQQ text-decoration-none text-strikethrough-none" draggable="false" href="https://www.nytimes.com/2020/07/04/opinion/soledad-obrien-racism-journalism.html" target="_blank" rel="noopener" politics /a span class="WdYUQQ text-decoration-none text-strikethrough-none" . /span /p p class="_04xlpA direction-ltr align-start para-style-body" span class="WdYUQQ text-decoration-none text-strikethrough-none" Born and raised in Connecticut, she earned her bachelor’s degree in theatre from Northwestern University and her master’s degree in cinema studies from New York University. She is the author of the essay collection "Wannabe: Reckonings with the Pop Culture that Shapes Me". /span /p
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